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Epico, visionario, disturbante. Il migliore (no, non è un luogo comune) dei registi politici, sradicato dall’immaginario collettivo del cinema italiano per più di vent’anni, un intellettuale complesso e slegato da qualsiasi cordata ideologica, che ha messo su pellicola le nevrosi di un Paese impazzito dalle logiche capitalistiche. Il cinema di Elio Petri mostra una rara consapevolezza nel modo di intendere il mestiere, in cui la professionalità si identifica con l’etica, uno sguardo ribelle contro le regole ipocrite e gli equilibri imposti con la forza, dalla parte del popolo “in tutti i sensi, quindi anche dal punto di vista politico, soprattutto dal punto di vista umano”.
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